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Daniel Golossov

Lord Rochefort (Anna Bolena), Truffaldin (Ariadne auf Naxos)

Lover of music, languages and history, Daniel Golossov studied piano, chamber music, singing and choral direction, in Nice and at the Giuseppe Verdi Conservatory in Milan, as well as linguistics at the Sorbonne.  First prize winner of the Paris CNR singing award, he perfected his vocal technique in Milan with Bonaldo Giaiotti at the Laboratorio Lirico Europeo, then at the Zurich Opernstudio. 

His many performances include a wide variety of roles, such as Timur in Turandot, Figaro in Le nozze di Figaro, Don Alfonso in Così fan tutte, Colline in La bohème, Ferrando in Il Trovatore, Sparafucile in Rigoletto, il Commendatore in Don Giovanni, Ramfis in Aida and Raimondo in Lucia di Lammermoor. He has performed in Cyrano de Bergerac by Alfano and Le joueur by Prokofiev at La Scala, Don Carlo, La fedeltà premiata and Gianni Schicchi at the Zurich Opera, La serva padrona in Lugano, the title role in Don Giovanni in Cologne and at the Sankt Margarethen Festival, Fidelio at the Anhaltisches Theater in Dessau. He has worked with Nello Santi, Patrick Fournillier, Bruno Amaducci, Maurizio Barbacini, Roberto Rizzi Brignoli, Matteo Beltrami, Daniel Barenboim and Lorin Maazel.

At the Opéra de Lausanne: Angelotti in Tosca (2013), Bartolo in Le nozze di Figaro (2013), Nilakantha in Lakmé (2013), Wurm in Luisa Miller (2014), Orbazzano in Tancredi (2015), the Ghost of the King in Hamlet (2017), the lion in Les Zoocrates (2017), Publio in La clemenza di Tito (2018), Duglas d’Angus in La donna del lago (2018).