Go to top

Marina Viotti

La mère (Amahl et les visiteurs du soir)

After obtaining a degree in transverse flute, Marina Viotti explored jazz, gospel and metal before moving to Vienna to study opera singing with Heidi Brunner. She became a member of the Singverein, Gustav Mahler and Wiener Staatsoper choirs. She made her first solo appearance in La petite messe solennelle then in La demoiselle élue in Milan and Turin, under the direction of Bertrand de Billy. In 2013 she began her Masters degree at the HEMU in Brigitte Balleys' class where she performed roles in The Turn of the Screw and Le roi David. Winner of several awards and scholarships, her performance of the aria "Cruda sorte" in L’Italiana in Algeri earned her the first prize at the International singing Competition in Mâcon in 2014.

During the 2015-2016 season, she performed in La petite messe solennelle, Die Rose Pilgerfahrt and played Isabella in L’Italiana in Algeri at the Rossini Festival in Wildbad.

Current projects: Melibea in Il viaggio a Reims at the Liceu in Barcelona, Olga in Eugène Onéguine and Rosina in Il barbiere di Siviglia at the Opéra national du Rhin, Meg Page in Falstaff in Lucern, Beethoven's IXe Symphonie with the OCL, and several performances of the recital Love has no borders in Switzerland, Europe and St. Petersburg.

At the Opéra de Lausanne: die dritte Dame in Die Zauberflöte (2015), the Mother, the Cup and the Dragonfly in L’enfant et les sortilèges (2015), the newspaper vendor in Les mamelles de Tirésias / La gaîté parisienne (2015), Marthe in Faust (2016).