One of the greatest geniuses in Western civilisation. Marks the event, the Ensemble Vocal de Lausanne joins forces with one of the most prestigious phalanxes playing on period instruments: the 18th Century Orchestra, founded by the famous Frans Brüggen, as well as the Cappella Amsterdam to perform the Missa solemnis, considered by the composer as his “best work”, his “biggest work”, enabling him to extricate himself from the most painful years of his existence. Some 40 chorists and 50 instrumentalists will gather on the stage at the Lausanne Opera on Wednesday, February 5, 2020.
Wednesday, February 5, 2020
Ludwig van Beethoven (1770-1827)
Missa solemnis en ré majeur, op. 123 soloists, choir and orchestra
COVID 19 : In light of the recent decisions taken by the Federal Council in connection with the COVID-19 pandemic and the deconfinement stages, the Opéra de Lausanne has decided to postpone the opening of online, ticket office and telephone sales of non-season holder tickets for the 2020-2021 season until the 29th of June at 13h00. In the meantime, only season tickets can be purchased via our website or by mail.
Thank you for your patience. We hope to see you all again at the Opéra de Lausanne soon and in complete safety.
Founded in 1961 by Michel Corboz, the Ensemble Vocal de Lausanne (EVL) is made up of a core group of professionals joined by top quality choristers and young trainee singers, depending on the pieces. It has a wide repertoire ranging from the beginnings of the baroque period up to the 21st century. Since 2015, Daniel Reuss has been the artistic director. His many recordings (with the Erato, Cascavelle, Aria Music, Avex and Mirare labels) have given him an international reputation. Some thirty albums have received awards, including Mozart’s Requiem (Choc du Monde de la Musique 1999), Fauré’s Requiem (Choc du Monde de la Musique 2007) and Gounod’s Requiem (Choc de Classica 2011). His last opus, Le Roi David by Honegger (1921 version), recorded in Geneva with the Orchestre de la Suisse Romande and conducted by Daniel Reuss, was released in 2017. Nominated for the prestigious Edison Klassik prize, it is the EVL’s 115th recording.
Founded by Jan Boeke en 1970, the chamber choir Cappella Amsterdam has been directed since 1990 by Daniel Reuss. For numerous years he has held a prominent position in both Dutch and international cultural landscapes. Cappella Amsterdam is famous for its homogenous and refined sound, as well as its extraordinary flexibility. The choir excels in modern and classical music repertoires alike. In addition to their own productions, the group enjoys working with other leading choirs, ensembles and orchestras de premier plan. Among them feature Ensemble Intercontemporain, Asko|Schönberg, the Orchestre de Paris, the Orchestra of the Eighteenth Century, Musikfabrik and Berlin’s RIAS Kammerchor. The choir’s recordings with Harmonia Mundi have all received awards and an enthusiastic welcome from the public. Aiming to share experience and knowledge, Cappella Amsterdam is a founder member of Tenso, the European network of professional chamber choirs.
L’Orchestre du XVIIIe siècle est un ensemble instrumental néerlandais fondé en 1981 par Frans Brüggen et Sieuwert Vester. Comme son nom l’indique, il se spécialise dans l’interprétation des musiques du XVIIIe siècle sur instruments d’époque (ou copies d’instruments historiques). L’orchestre fonctionne à la manière d’un collectif dans lequel Frans Brüggen occupe de facto la fonction de chef principal jusqu’à sa mort en 2014, et Sieuwert Vester assure la charge de manager. Composé d’une soixantaine de musiciens recrutés par cooptation, il enregistre de très nombreux disques sous le label Philips, avant de passer chez Glossa.
Daniel Reuss has been the artistic director of the Ensemble Vocal de Lausanne since 2015. He studied the conducting of choirs with Barend Schuurman at Rotterdam Conservatorium. In 1990, he succeeded Jan Boeke at the head of Cappella Amsterdam, where he became the artistic director. At the same time, he conducted the Berlin RIAS Kammerchor from 2003 to 2006, then the Estonian Philharmonic Choir from 2008 to 2013. Bringing together the latter and Cappella Amsterdam, he made two recordings: Golgotha by Frank Martin (nominated in 2010 for a Grammy for best choral performance), and Stabat Mater and Sept répons de ténèbres by Poulenc in 2014. With Cappella Amsterdam, he was awarded in 2017 the Edison Klassik prize for Kanon Pokajanen by Arvo Pärt.